The music bug has always been there – from a childhood hi-fi addict, crafting homemade DJ mix tapes in her bedroom and playing any instrument within reach, to studying Creative Music Production and Lecturing in Music Technology, before taking the leap into full time production and DJing. First as the driving force behind the duo Him_Self_Her, and then as a solo artist, Just Her has grown and evolved to become a major player in the Electronic Music scene.

Her debut solo EP ‘Flatline’ on Suara made waves across the underground, gaining plays from an array of industry greats, from Maya Jane Coles at DC10 Ibiza, to Agoria at Treehouse in Miami. Emotion filled hooks, heavy grooves and an eclectic production style are the hallmarks of her sound, and with a penchant for songwriting, her dance floor hit “Follow You Down” featuring her own vocals, quickly became one of the biggest selling releases of 2017 on Global Underground. More recently, an original EP on Spanish label Sincopat demonstrated the maturity and versatility in her productions, incorporating elements of house, deep house and techno, riding high in the Beatport charts and gaining support & plays from the likes of Sasha and Joyce Muniz. This was followed by her debut on the mighty Get Physical, with “Tabula Rasa” being one of the most highly received tracks on their latest Body Language album.

A self confessed multi-tasker, Just Her has also found the time and skills to establish her own brand ‘Constant Circles’ – a unique concept in which music & contemporary visual art are combined, with successful label parties across the UK & Europe and art exhibitions in Brighton and London already accomplished, plus many more in the pipeline. Alongside the label she also hosts two successful radio shows, self- syndicated to a number of platforms worldwide, including the highly regarded stations Frisky & Proton, as well as heading up a successful music & art blog that is rapidly gaining an underground following. Add to this a solid reputation for technical prowess and a dynamic energy on the decks, with sell out shows from South Africa to Lebanon to Ukraine, and it is clear why Just Her continues to develop a loyal base of fans from around the globe.

In 2016, she was also recognised by ‘Music Week’s 30 Under 30 Best of The Rest’, a list celebrating the brightest young execs in the music industry. With appearances as a guest panellist at conferences such as Amsterdam Dance Event, AIM’s Indie Con and Beats Evolution Conference in Prague, she has proved that she can confidently share her wisdom with large audiences across the world.
This year Amy swapped city life for the seaside, bagging herself a spot on the Brighton Music Conference advisory board. Joining Shogun Audio LTD in September 2017, she now runs the marketing departments for Shogun Audio, Elevate Records, SGN:LTD and Maraki Records.

Having started his own career as a producer some 15 years ago under the alias K-Tee with numerous record releases to his name he is today a record label & publishing company director, A&R scout, multi-national events planner, marketer and artist manager for both Rockwell and Icicle.

Under Sammy’s management the business grew from strength to strength and his company promoted over a dozen weekly and one monthly event at numerous venues in the city and that’s not including the afterparties! Sammy then made the natural, yet often unprecedented progression into nightclub ownership, where he is now the Proprietor / Creative & Musical Director of The Arch & The Hub nightclubs in Brighton.

PRS for Music pay royalties to its members when their work is performed, broadcast, streamed, downloaded, reproduced, played in public or used in film and TV.

Ashley’s introduction to the music industry was at distribution company SRD as a sales rep for over 100 UK music retailers before spending nearly 10 years at leading independent drum & bass label Hospital Records, heading up their publishing company but also working extensively in A&R, label management and sync licensing.

With an early career working at Decca Records and studying music at Royal Holloway, Christine has a cross-genre knowledge of music and the industry and this proved vital in co-authoring HMUK’s transformational Agenda 2021 strategy that takes the charity into its centenary year.

Christine is a tireless campaigner on behalf of the music industry. It was Christine’s vision in 2014 which prompted HMUK to initiate a plan to address the mental health challenges within the music industry. In late 2016, she spearheaded the most successful campaign in HMUK’s history, the Can Music Make You Sick? academic study, which was the biggest research into mental health in the music industry and attracted global headlines. This success continued with the launch and delivery of the industry’s most comprehensive 24/7 mental health service and support line, Music Minds Matter. She has provided insight into music and mental health at events all over Europe and beyond – including chairing and featuring on panels in Sweden, Ibiza, Germany, Holland and in the UK.

Christine has also been instrumental in the charity’s #HearforMusicians campaign which has led to over 5,000 people in the industry receiving hearing protection in 2017. Christine has also led the charity’s gender equality focus for 2018, successfully launched HMUK’s first regional brand in Northern Ireland in 2016 and is designing the organisation’s first-ever business development strategy.

Moving to DJ magazine just before the Millennium, he covered all the diverse electronic music styles and finished up as deputy editor before moving to Brighton and reverting back to freelance journalism once again. He wrote the electronic music section for the Billboard Music Encyclopaedia a few years ago, and wrote for MOJO magazine for most of the noughties too. He’s also written for the Guardian, Big Issue, Attitude and assorted other mags and websites. As well as writing, Carl also manages a ‘rock & rave’ band called Killaflaw, occasionally produces music himself, runs a record label – Westway – and DJs in clubs and at festivals. He’s interviewed many notable figures within music, and recently has started doing some lecturing too.

Whilst maintaining the ground level club events Sarah has continued to develop her skills and expand her knowledge into new areas of the events industry, working along some of the industries most exciting music and expanding within the global events market.

Working with the RAM records team, Sarah helped to expand their events business into new areas and take on larger venues, with their first Andy C ‘All Night’ at Brixton Academy, while managing their tours and events. Continuing to be a lead booker and consultant for various festivals both in and outside the UK she has maintained her reputation as one of the industries ‘go to’ members when it comes to live events and an authority that is respected across the scene.

Now residing at AEI Group as their Director of Talent, Sarah books Festivals including Detonate Festival and El Dorado and works on their brands including Let It Roll, UKF and Drum&BassArena.