THURSDAY 26TH APRIL 2018
11.00: Getting Paid For Your Creativity (in association with PRS for Music)
Starting to think seriously about your career in music? Everything you need to know to get your business locked down and sustain a living. From downloads and streams to DJing and live to TV and radio to vinyl and CD, how to ensure you are rewarded for the music you make and understanding all the different income streams.
Moderator: Ashley Howard (PRS for Music)
Adrienne Bookbinder (Defected Records)
Soraya Sobh (The Bakery)
Adam Woolf (Critical Recordings)
Sam Heerey (PPL)
11:45: How to get your music signed to the right label
Timo Garcia (aka Nolan) talks to industry professional’s about the best way to get your music signed by the right labels. With his own music released on over 130 labels worldwide from Get Physical, Kittball & Mother Recordings to Toolroom, Cr2 & MadTech Timo has a wealth of experience (good & bad) in sending out demos in hope of getting signed!
Moderator – Timo Garcia (aka Nolan)
Luke Solomon (A&R for Defected & Classic Music Company)
Simon Birkumshaw (Label Manager & A&R, Madhouse, Madtech & Champion Records)
Just Her (Crosstown Rebels, Constant Circles)
Tracey Fox (A&R, Ultra Music & Ultra Music Publishing)
12:30: Label Q&A with Tru Thoughts
A chance to delve into the minds of one of the UK’s most successful labels, now in its nineteenth year the label continues to go from strength the strength and is a perfect example of how to grow your business and stay true to its roots.
Moderator – Shino Allen
Robert Luis (Label Co-Owner and A&R)
Jonny Halliday (Label Manager)
Trevor Heath (Full Thought Publishing)
Hannah Petter (Press Officer)
13:20: Uplifting Audio Experiences Workshop with Tony Andrews
Founder of loudspeaker manufacturer, Funktion-One: An opportunity to delve into the mind of the man behind the world’s leading loudspeaker and sound system provider. This will be a masterclass in best practices and how to perfect your sound.
14:15: BIMM Institute Modular Synthesis Masterclass
You are invited to this exciting BIMM Institute Modular Synthesis Masterclass hosted by the (BA Hons) in Music Production Course Leader, Matthew Hodson. Matthew will take you through all the key techniques and essential elements in producing music using a modular synthesizer. Join him as he creates music from scratch, building a custom patch which is discussed and taught throughout, giving you a first-hand insight into the world of modular synthesis.
15:00: Sharpstream – Sharing your creation with the world. The access and benefits of internet radio
Radio is a major source of music discovery, yet traditional broadcast radio consumption is in decline. Internet radio is growing faster than ever, helped in part by the launch of connected smart speakers and a generational leap toward IP first media consumption. This panel focuses on how to approach starting an internet radio station of your own. The discussion will look at the benefits and challenges of internet radio, revealing the best practices from existing success stories of the internet radio landscape.
Moderator Dane Streeter (Sharpsteam)
Nats Spada (Totally Radio / Platform B)
Dom Robinson (id3as media)
15:50: DJ Q&A
Moderator Chad Jackson (DMC World champion)
Sam Divine (Defected)
Rich Wakely (Drum Code)
Mark Knight (Toolroom Records)
16:35: BPI Presents – Music Piracy and content protection strategies
Kiaron Whitehead (BPI General Council)
Clare Miller (BPI Content Protection Team)
Chris Sheehan (BPI Content Protection Team)
Christian Ivanoski-Nichol (BPI Content Protection Team)
Alex Baker (BPI Content Protection Team)
Kate Whitmarsh (BPI Content Protection Team)
17:20: How much is your hearing worth?
Moderator: DJ RAE
Oli Katz (All Ears campaign)
Jono Hale (ACS)
Gladys Akinseye (Harley Street Hearing)
Aiden Culley (HMUK)
FRIDAY 27TH APRIL 2018
11.00: Gizza job… A chance to get yourself an internship with a leading UK label
Full details TBC
11:45: Label Q&A with RAM Records
Moderator Sarah Cole
12:30 – 13:10: (40 mins) – Education – is college really worth it?
The cost of attending a UK university as an Undergraduate in 2018 could cost you up to £9000 a year, which equates to almost £30k over a university tenure of 3 years. Imagine what that investment could yield for you during the same period of time, if you chose instead to use it to build your own studio, set-up your own event or launch your own record label. Or would you lack the necessary skills and acumen required to achieve any of the aforementioned, without having cut your teeth on a university degree first? We’ve curated a diverse panel of industry professionals & entrepreneurs to discuss just that.
Moderator – Inder Phull (CEO at KRPT)
Lauren Pavan (COO at GRM Daily)
Alice Favre (Co-Owner at Ticket Tannoy, Head of Operations at LWE)
Archie Hamilton (Producer, DJ at Fuse London & Label Owner Moscow Records // Moss Co. // Arkityp)
Toby Oxnam (Creative Director – Netil Radio, Head Booker at Joshua Brookes, Ossia Music)
Harry Leckstein (Tileyard Education)
13:15: Producer Q&A
Moderator – Katia Isakoff (Women Produce Music)
London Elektricity (Hospital Records)
Illyus & Barrientos (Toolroom Records)
Luke Solomon (Defected/Classic)
Rachel K Collier (Ableton)
14:10: Horus Music Presents“Letting it Sync In, Why Music Supervisors love Electronic Music
We’ll take you through the fundamentals of how synchronisation works when your song is used in a film, television show, advert or video game. The discussion will then take a deeper look into the use of electronic music in recent projects from both a music supervisor and composers’ perspective and will take a look what challenges lie ahead for songwriters today.
Moderator – Deborah Smith (Anara Publishing)
Rupert Hollier (Music Supervisor)
Luke Jackson (Composer)
Rachel Menzies (Music Supervisor)
John Meredith (Owner of Production Music Library ‘Arms Production Music’)
14:55: Multi-tasking in the music business
Brighton’s very own drum and bass legend Friction talks through the need for multi-tasking in the modern day music business. From producing records, touring, broadcasting and running a label.
Moderator – Sammy Andrews (Deviate Digital)
Friction (Shogun Audio)
15:50: AEI / BEC panel – Creating & Maintaining Online Communities
What good is a Facebook event page if no one actually sees it? As the internet echo chamber gets louder and algorithms make it harder to reach fans online, it’s more important than ever to understand exactly how to use digital platforms properly to promote your event. This panel, hosted by AEI Group, will break down all aspects and means of digital promotion and analyze exactly how to get the right message across, in the right way, to the right people at the right time. From fine-tuning your tone of voice to fit your audience to understanding when to push for those final ticket sales, this panel will cover it all.
Moderator – Sarah Cole (Director of Talent at AEI Group)
Tom Dunn (AEI Special Projects Manager)
Kate Osler (AEI Festival Director / Weird Science)
Nick Sadler (Manager)
Lewis Sinclair (CEO Cygnus Music)
Sam Taylor (I Am Pop)
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